Music Collection Department

The Composers . . 967
The Sources (Operas Musicals, Movies and Other Sources of Songs) . . 1313

Introduction . . ix
Acknowledgements . . xi
How to Use This Book . . xiii
The Bibliography . . 1
The Song Index . . 37

Map: The Beatles in London 2
PRELUDE
One-Way Ticket, Yeah 5
ONE
Another Kind of Mind There: The Meaning of Within (1966) 31
INTERLUDE
I Know When It's a Dream 75
TWO
Yellow Matter Custard, Green Slop Pie (1967) 89
THREE
So Let It Out and Let It In (1968) 149
FOUR
Let It Be (1969-1970) 213
POSTLUDE
Whatever Happened To...? 281
APPENDIX A
Instruments Played by the Late-Period Beatles 297
APPENDIX B
Musical Friends of the Late-Period Beatles 305
Table of Chord Functions 309
Glossary of Terms 315
Notes 321
References 359
Index of Names, Songs, Albums, Videos, and Artworks 373

Introduction . . 5
Belly: The Well-Crafted-and Crafty- verse of Alternative . . 6
The Cranberris: The Sweet-Tart of Alternative . . 18
Green Day: The Pop-Punk of Alternative . . 34
Juliana Hatfield: The Angst of Alternative . . 48
Hole: The Pissed-Off Sound Alternative . . 62
Live: The Spiritual Voice of Alternative . . 78
Nine Inch Nails: The Perverse of Alternative . . 94
Pearl Jam: The Rebellion of Alternative . . 110
Smashing Pumpkins: The Psychedelia Alternative . . 128
The Future of Alternative . . 144

FOREWORD . .  VII
PREFACE . . IX
INTRODUCTION: LITTLE LABELS AND THE AMERICAN BEAT, 1920-1970 . . XIII

One. Gennett Records . . 1
Two. Paramount Records . . 20
Three. Dial Records . . 38
Four. King Records . . 56
Six. Sun Records . . 89
Seven. Riverside Records . . 106
Eight. Ace Records . . 124
Nine. Monument Records . . 139
Ten. Delmark Records . . 156

LITTLE LABELS ON REISSUE ANTHOLOGIES . . 175
NOTES . . l8l
SELECTED BIBLIOGRAPHY . . 187
INDEX . . 189

1 What is Bard? What is Bard?
3 Lead Sheets
4 Some of the Music Symbols
5 The Mahinogion
7 (A Note on the Galeic)
8 The Songs
9 Bardic ales From the Mahinogian Part I Tales of Olde Dyved
10 Descent Into Annwn
15 Rhiannon of the Birds
21 Child Named Grief
26 Island of the Mighty
35 Caswallons Quarry
39 Came a Storm
45 The Pigs of Pryderi
51 (Part II) Children of Don
55 On the Wind
59 The Dreams of Arianhord
63 A Very Funny Man
67 Lady, My Lady
71 Blodeuwedd
75 The Cauldron and the Goat
77 An Oak Grows
81 Cad Godden (Battle of the Trees) based on the translation by Robert Graves
90 Feasting the Wheel
93The Weel
97 Watch The Wheel Turn (Yule)
101 The King Shall Return (Imbolc)
105 Spring Fling (Vernal Equinox)

Preface and Acknowledgements . . ix
Introduction . . xiii
The Catalogue Entry . . xxi
Abbreviations . . xxv
List of Plates . . xxvii

The Catalogue

I Piano Music . . 1
Piano Solo . . 3
Piano Duet . . 69
Two Pianos . . 76

II Organ, Harmonium, and Harp Music . . 91
Organ and Harmonium Music . . 93
Harp Music . . 135

III Chamber Music . . 139

IV Music for Military Band . . 241

V Orchestral Music . . 253

VI Works for Solo Instrument(s) and Orchestra . . 333

VII Transcriptions of Works by Other Composers . . 429
Transcriptions and Arrangements 431
Transcriptions with Realization of the Figured Bass

VIII Cadenzas . . 507

Addenda . . 525
Appendices . . 529

A Index of Instrumental Works . . 531
B List of Instrumental Works by Opus Number . . 541
C Chronological List of Instrumental Works by Date of Composition . . 545
D Chronological List of Instrumental Works by Date of Publication . . 557
E Dedicatees . . 566
F Transcribers of Saint-Sacus's Compositions . . 576
G Publishers of First and Early Editions . . 586

Select Bibliography
Index . . 607

VORWORT . . 21
DAS ZEITALER DER KABINNETSKRIEGE . . 49
LIEDER AUS DER ZEIT DER KABINNETSKRIEGE . . 68
DAS ZEITALER DER VOLSKRIEGE . . 139
LIEDER AUS DER ZEIT DER VOLSKRIEGE . . 200
DER VORMÄRZ UND DIE REVOLUTION VON 1848/1849 . . 373
LIEDER AUS DER VORMÄRZ UND DER REVOLUTION VON 1848/1849 . . 405
DAS ZEITALER DER EINIGUNGSKRIEGE . . 459
LIEDER AUS DER ZEIT DER DEUTSCHEN EINIGUNGSKRIEGE . . 502
DAS ZEITALER DER IMPERIALISTISCHEN KRIEGE . . 701
LIEDER AUS DER ZEIT IMPERIALISTISCHEN KRIEGE . . 789
LIEDER ZUM DEUTSCHEN IMPERIALISMUS . . 860
BIBLIOGRAPHIE . . 913

Friedhelm Brusniak
Vorwort

Annemarie Clostermann
Niederländische Musikimpressionen aus der Zeit des Wilhelm
von Oranien - auf der Suche nach möglichen musikalischen
Einflußlinien zwischen den Niederlanden und Mitteldeutschland 9

Norbert Dubowy
Italienische Opern im mitteldeutschen Theater am Ende des
17. Jahrhunderts: Dresden und Leipzig 23

Klaus-Peter Koch
Die Weißenfelser Hofoper 1682-1736 und ihre Beziehungen zu
anderen Bühnen 49

Ute Poetzsch
Georg Philipp Telemanns Oper "Der Sieg der Schönheit" in
Braunschweig 63

Woligang Hirschmann
"Glückwünschendes Freuden=Gedicht" - Die deutschsprachige
Serenata im Kontext der barocken Casualpoesie 75

Koarad Küster
"Theatralisch vorgestellet"-Zur Aufführungspraxis höfischer
Vokalwerke in Thüringen um 1710/20 118

Annemarie Clostermann
"zur fröligkeit gebrauchet..." - Materialien zu Erscheinungs
bildern der Tafelmusik in Deutschland im 17. und 18. Jahrhundert 142

Jutta Liebscher
Barockes Musiktheater-Repertoire am Hoftheater München.
Zum Opernspielplan des 17. und 18. Jahrhunderts 157

Preface vii

CRISPIN JEWITT

Using recordings to study musical performance 1
DANIEL LEECH WILKINSON
Contextual discography 13
The cultural significance of the repertoire of East African
tuarab music legend, Siti binti Saad
JANET TOPP FARGION
The Century Speaks 27
A millennium oral history project
ROB PERKS
The National SoundArchive 41
The first fifty years
TIMOTHY DAY
Capturing and preserving the sounds of nature 65
RICHARD RANFT

The hidden history of British commercial radio
79 Radio archives as cultural witness
SEAN STREET
Forensic evidence in historical sound-recordings
107 PETER COPELAND

Black British swing 117
The African diaspora's contribution to England's own
jazz of the 1930s and 1940s
ANDREW SIMONS
I Do they mean us? 139
Archiving current creative practice
TOBY OAKES
Notes on contributors 155
Track listing for accompanying CD 157