Music Collection Department

HISTORY OF RESEARCH . . 9
THE DESCRIPTION OF THE CODEX . . 11
RESTORING THE CODEX . . 14
MUSIC-PALAEOGRAPHICAL EXAMINATION OF THE CODEX . . 15
THE PLACE OF THE CODEX IN THE HISTORY OF ARTS . . 21
THE LITURGICAL ANALYSIS OF THE CODEX . . 39
MUSICAL ANALYSIS . . 55
THE ORIGIN AND FATE OF THE CODEX . . 62
BIBLIOGRAPHY . . 67
INDEX CANTUUM . . 71

List of Illustrations . . 9
Preface . . 11
Acknowledgments . . 13

1. Monteverdi: A Personal Approach . . 17
2. 'I, Claudio Monteverdi" . . 48
  Origins of the Selva . . 49
  The Selva as Autobiography . . 53
  The Liturgical Year in Venice . . 64
  Performance Practice . . 80
  Chiavette Off-Key? . . 85
  Basso Continue-Basso Seguente . . 89
  Organs and Organists . . 92
  The Orchestra at S. Marco . . 96
3. Claudio! Audio? . . 101
4. Acoustics, Tempo, Interpretation . . 113
5. Iconografia Claudiana . . 130
6. Monteverdi's Necklace . . 141
7. Fiori Poetici-A Facsimile . . 154

Bibliography . . 230
Index . . 232

List of illustrations . . IX
Foreword by lan Bent . . XV
Preface . . XIX

PART I BEGINNINGS
1 Prologue: Exempli gratia . . 3
2 Music theory incunabula: printed books, printed music . . 17

PART II 1520-1540: PIETRO ARON AND SEBALD HEYDEN
3 Pietro Aron and Petrucci's prints . . 37
4 Music anthologies, theory treatises, and the Reformation: Nuremberg in the 1530s and 1540s . . 82

PART III THE POLYPHONY OF HEINRICH GLAREANf's DODECACHORDON (1547)
5 Exempla, commonplace books, and writing theory . . 117
6 The polyphony of the Dodecachordon . . 138

PART IV GIOSEFFO ZARLINO's LE ISTITUTIONI HARMONICHE (1558)
7 Composition and theory mediated by print culture . . 179
8 "On the modes": the citations of Le istitutioni harmoniche, Part IV . . 226

PART V READINGS PAST AND PRESENT
9 Exempli gratia: a reception history of Magnus es tu Domine/ Tu pauperum refugium . . 265
10 Epilogue: Reading theorists reading (music) . . 318

Bibliography . . 521
Index . . 334

List of Tables . . xii
List of Abbreviations . . xiii

I. A BIOGRAPHY OF BERLIOZ'S MUSIC . . 1
1. Provincial to Prize-Winner . . 3
2. The Romantic Decade . . 28
3. Damnation and After . . 47

II. TECHNIQUES AND MEANINGS . . 69
4. Implications of a Musical Biography . . 71
5. Techniques of Composition . . 98
6. Signs and Evocations . . 125

III. THE WORKS . . 163
7. The Lyric Berlioz . . 165
8. Architecture, Patriotism, and the End of the World . . 192
9. A Fantastic Symphonist . . 237
10. Berlioz Dramatist . . 281

Postscript . . 339
Select Bibliography . . 348
Index of Berlioz's works . . 355
General index . . 361

Acknowledgments . . vii
Preface . . 1
How to Use This Book . . 3
Introduction . . 7

Part One: The Recording Sessions - A Discography
 The Chick Webb Recording Sessions, 1927-1934 . . 21
 The Ella Fitzgerald Recording Sessions (Including the Chick Webb Recording Sessions, 1935-1939) . . 27

Part Two: Ella's Records
 The Long-Play Albums and Compact Discs: A Collector's Checklist . . 111

Part Three: The Songs Ella Sings
 Annotated Song Index . . 205
 An "Album" of Songs Ella Recorded That You've Never Heard Her Sing . . 288

General Index . . 357